Konzertkritik

Vivaldi und Lady Gaga – Simone Kermes in der Elbphilharmonie

Lesedauer: 4 Minuten
Für die Sopranistin Simone Kermes endet das singbare Repertoire nicht, wo die Hitparade beginnt.

Für die Sopranistin Simone Kermes endet das singbare Repertoire nicht, wo die Hitparade beginnt.

Foto: Sandra Ludewig

Die Sopranistin und die Amici Veneziani überzeugen mit Arien und Schlagern: atemberaubende Technik und Klänge.

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Simone Kermes in der Elbphilharmonie: Das Auge hört mit

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Kontraste von Todsünde und Tugend

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