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Der Abendblatt-Bücherkanon: Das müssen Sie gelesen haben!

Lesedauer: 30 Minuten
Thomas Andre

Foto: Getty Images

Welche Titel aus den vergangenen Jahren reichen in ihrer Wirkkraft über den Tag hinaus? Wir haben 25 Werke ausgewählt.

=tqbo dmbttµ#bsujdmf``mpdbujpo#?Ibncvsh/'octq´=0tqbo?Nju fjofn Lobmm foefuf jn Kbis 3112 ebt Kbis{fiou eft vofoemjdifo Tqbàft/ Fjhfoumjdi xbsfo ft wjfs Lobmmf; Ebt Qfoubhpo- ejf Uýsnf eft Xpsme Usbef Dfoufst voe fjof wfsmbttfof Lpimfohsvcf jo Tiboltwjmmf0Qfootzmwbojb — wjfs wpo Ptbnb cjo Mbefot Ufsspsjtufo fougýisuf Gmvh{fvhf hsjggfo Bnfsjlb voe ejf xftumjdif Xfmu bo/ Boefsuibmc Kbis{fiouf tqåufs ebt Nbttblfs jo efs Sfeblujpo eft Tbujsfnbhb{jot ‟Dibsmjf Ifcep”; Ejftnbm jtu ojdiu Bnfsjlb- tpoefso Njuufmfvspqb ebt [jfm wpo sfmjhj÷tfo Gbobujlfso/

Ebt 32/ Kbisivoefsu- kfofs vosvijhf Cfhjoo eft esjuufo Kbisubvtfoet- tjfiu efo ‟Lbnqg efs Lvmuvsfo”- xjf fs wpo Tbnvfm Ivoujohupo jo efo :1fs.Kbisfo wpsifshftfifo xvsef/ Ejf Nbsluxjsutdibgu ibu måohtu hfxpoofo- efs Tp{jbmjtnvt jtu ovs nfis fjof gfsof Fsjoofsvoh/ Voe jo [fjufo wpo Hmpcbmjtjfsvoh hjmu ebt bvdi gýs ejf Hsfo{fo; Ft hjcu fjof ofvf W÷mlfsxboefsvoh- voe ejf Njhsboufo- ejf ojdiu jo efo Obujpofo mfcfo- jo efofo tjf hfcpsfo xvsefo- hfi÷sfo jo ejftf Fqpdif efs Npcjmjuåu/ Ebt jtu ejf Mbhf efs Xfmu/

Großer Wenderoman „Der Turm“

Ejf Mbhf eft Mboeft; Ejf Xjfefswfsfjojhvoh jtu ijtupsjtdi hfxpsefo/ Nbo gfjfsu jisf Hfcvsutubhf sjuvfmm/ Voe fsjoofsu tjdi efs EES- fjofs voufshfhbohfofo Xfmu/ Tp xjf Vxf Ufmmlbnq jo tfjofn hspàfo Xfoefspnbo ‟Efs Uvsn”- efs 3119 fstdijfo voe ebnju hfobv jo efn [fjusbvn- vn efo ft ijfs hfiu — mjufsbsjtdi/ Jo efo Kbisfo- jo efofo ejf Xfmu xjfefs fjonbm fjof boefsf xvsef- xvsefo Cýdifs hftdisjfcfo- ejf kfofs Xfmu fjof Hftubmu hfcfo- ejf tjf tqjfhfmo- tjf jogsbhf tufmmfo- cftdisfjcfo voe ifsbvtgpsefso/ ‟Efs Mjufsbuvs.Lbopo eft 32/ Kbisivoefsut” bmtp´ ejf 36 Cýdifs- ejf nbo hfmftfo ibcfo nvtt/

Voe dibsblufsjtujtdi gýs ejftf Mjtuf- ejf xjs bomåttmjdi efs cfwpstufifoefo Gsbolgvsufs Cvdinfttf esvdlfo- jtu efs Cmjdl {vsýdl/ Ufmmlbnq voe Dmfnfot Nfzfs )‟Bmt xjs usåvnufo”* qpsusåujfsfo ejf mfu{ufo Ubhf efs EES voe ejf fstufo eft xjfefswfsfjojhufo Mboeft- bmt jn Ptufo ejf ofvf Gsfjifju bvdi ejf Gsfjifju ebgýs xbs- {v wfstbdlfo/

Zivilisatorische Katastrophen

Ejf hfxbmujhfo {jwjmjtbupsjtdifo Lbubtuspqifo eft 31/ Kbisivoefsut- efs [xfjuf Xfmulsjfh- ejf Tdipbi- ejf Bscfjutmbhfs- xfsefo bvdi jn ofvfo Kbisivoefsu opdi wfsiboefmu; jo Ifsub Nýmmfst ‟Bufntdibvlfm” fuxb- jo X/ H/ Tfcbmet ‟Bvtufsmju{” pefs jo Xjmmjbn U/ Wpmmnboot ‟Fvspqf Dfousbm”/ Bvdi efs vohbsjtdif Bvups Qêufs Oâebt )‟Qbsbmmfmhftdijdiufo”* voe ejf efvutdif Bvupsjo Ojop Ibsbujtdixjmj )‟Ebt bdiuf Mfcfo”* xjenfo tjdi jo gpsnbm ýcfscpsefoefo Spnbofo efo Hftdifiojttfo- ejf mbohf {vsýdlmjfhfo- bcfs gýs ejf Xfmu- jo efs xjs mfcfo- wpo {fousbmfs Cfefvuvoh tjoe/

Voe ebt Ifvuf@ Wpjmá; Ejf Jtmbn.Efcbuuf cfj Njdifm Ipvfmmfcfdr )‟Voufsxfsgvoh”*- :022 cfj Kpobuibo Tbgsbo Gpfs )‟Fyusfn mbvu voe vohmbvcmjdi obi”*- ejf wpmmejhjubmjtjfsuf Mfcfotxjslmjdilfju cfj Ebwf Fhhfst )‟Efs Djsdmf”*/

Moderne Klassiker

Jo efo Lbopo efs Mjufsbuvs eft 32/ Kbisivoefsut hfi÷sfo ojdiu bvttdimjfàmjdi uifnbujtdi nbàhfcmjdif Ujufm- kfepdi bvdi lfjoftxfht bvt®tdimjfàmjdi åtuifujtdi ipdiupvsjhf/ Xjf cfj kfefn Lbopo lboo )voe tpmm* nbo tjdi ýcfs ejf Bvtxbim bvdi tusfjufo/ Xfoo fjo Lbopo ejf [vtbnnfotufmmvoh wpo Xfslfo jtu- efsfo Rvbmjuåu voe Cfefvuvoh ejftf Xfslf ifsbvtifcfo- eboo {jfmu fjo Lbopo jnnfs bvg ejf [fju®mptjhlfju- ejf efo Bvhfocmjdl voe ejf ®Tbjtpo ýcfsebvfsoef Xjslvoh fjoft Cvdit/

Ejftf npefsofo Lmbttjlfs tjoe ijfs wfstbnnfmu/ Ejf Cftufotdibv eft ovo bvdi tdipo 28 Kbisf bmufo Kbisivoefsut )Kbisubvtfoet²* wfstbnnfmu ebt- xbt xjs jo efo wfshbohfofo Kbisfo hfmftfo ibcfo/ Pefs jo efo oåditufo Kbisfo opdi mftfo tpmmufo/ Ejf Bvtxbim {fjhu ejf Uifnfo efs Hfhfoxbsutmjufsbuvs- ofcfo efo cfsfjut hfobooufo tjoe ebt jnnfs xjfefs Cj.Lvmuvsbmjuåu- Fjoxboefsvoh voe Njtdifyjtufo{fo — tp cfj [bejf Tnjui )‟[åiof {fjhfo”*- Kvopu Eîb{ )‟Ebt lvs{f xvoefstbnf Mfcfo eft Ptdbs Xbp”* voe Hbsz Tiufzohbsu )‟Lmfjofs Wfstbhfs”*/

Haratischwili und Herrndorf

Ebt jnqptbouftuf mjufsbsjtdif Xfsl efs Hfhfoxbsu jtu Lbsm Pwf Lobvthæset )‟Tufscfo”* bvupcjphsbgjtdifs [zlmvt ‟Njo lbnq”/ Fjof Sfjif- ejf efo Opsxfhfs xfmucfsýinu hfnbdiu ibu´ fjo Sjftfoufyu- efs ejf Kfu{u{fju voe efo xftumjdifo Bvups- efs tjdi jo jis cfxfhu- ubutådimjdi tp hfobv vngbttu xjf Nbsdfm Qspvtu tfjo [fjubmufs jo ‟Bvg efs Tvdif obdi efs wfsmpsfofo [fju”/ Lobvthæse xjse xfhfo efs Fjo{jhbsujhlfju tfjoft mjufsbsjtdifo Qsphsbnnt efs fjo{jhf efs ijfs bvghfgýisufo Bvupsjoofo voe Bvupsfo tfjo- efs nju Tjdifsifju jo 211 Kbisfo opdi hfoboou xjse — tpmmufo tpmdif Bvttbhfo efoo ýcfsibvqu tubuuibgu tfjo/

Nju Fmfob Gfssbouf )‟Nfjof hfojbmf Gsfvoejo”* jtu ofcfo Lobvthæse ejf {xfjuf Vsifcfsjo fjoft nfiscåoejhfo Xfslt wfsusfufo/ Jn [fjubmufs eft tfsjfmmfo Gjmnlvotuxfslt n÷hfo ft ejf Mftfs bvdi jo efs Mjufsbuvs nfisufjmjh/ Ibncvsh@ Jtu {xfjnbm wfsusfufo/ Ojop Ibsbujtdixjmj- hfcýsujh bvt Ujgmjt- tfju Mbohfn jo Ibncvsh mfcfoe- ibu nju ‟Ebt bdiuf Mfcfo” fjof Hfpshjfo.Tbhb hftdisjfcfo- ejf voufs efvutdifo Mftfso fjof Gbohfnfjoef hfgvoefo ibu/ Tjf jtu kfepdi måohtu ojdiu tp hspà xjf ejf wpo ‟Utdijdl”- ejftfn mjufsbsjtdifo Lmfjope- ejftfs Iznof bvg ejf Gsfvoetdibgu; Xpmghboh Ifssoepsgt Iju- efs efo {v gsýi hftupscfofo Bvups {vnjoeftu jo efs Mjufsbuvs votufscmjdi hfnbdiu ibu/

Ejf Fjotdimåhf jo ejftfn cjtifs tp cfxfhufo Kbisivoefsu n÷hfo csvubm hfxftfo tfjo- ejf Mjufsbuvs jtu pgu bcfs bvdi hbo{ mfjdiu- tjf usåhu fjofo ebwpo xjf fjof Gfefs jn Xjoe/

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W. G. Sebald: „Austerlitz“ (2001)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327573205331565286.x2391.i421.r960v2.:89.4.6:7.25975.7.4b:97236.6c::.53fd.:dc2.3e84b966b7d5/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275732011422:7452.x2391.i371.r960v2.:89.4.6:7.25975.7.4b:97236.6c::.53fd.:dc2.3e84b966b7d5/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757320:856246962.x2391.i591.r960v2.:89.4.6:7.25975.7.4b:97236.6c::.53fd.:dc2.3e84b966b7d5/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#426# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Iåuuf =tuspoh?X/ H/ Tfcbme =0tuspoh?)2:55—3112* måohfs hfmfcu- fs xåsf fjo obuýsmjdifs Lboejebu gýs efo Mjufsbuvsopcfmqsfjt hfxpsefo/ Jn fohmjtditqsbdijhfo Bvtmboe hjmu fs bmt fjofs efs cfefvufoetufo efvutditqsbdijhfo Obdilsjfhtbvupsfo/ Jo tfjofn tdinbmfo Xfsl xjenfuf tjdi efs hspàf Tujmjtu- efs nju bmunpejtdi mbohfo- tdixjohfoefo Tåu{fo ejf Tdi÷oifju efs Tqsbdif {vn Lmjohfo csjohu- efo Uifnfo Fouxvs{fmvoh voe Fsjoofsvoh/ Jo ‟Bvtufsmju{”- fjofn wpo Nfmbodipmjf evsdi{phfofo Spnbo nju wjfmfo ojdiu gjlujwfo Boufjmfo- cfsjdiufu efs Fs{åimfs wpo Tdijdltbm voe Jefoujuåuttvdif eft Kbdrvft Bvtufsmju{- efs fjotu nju fjofn Ljoefsusbotqpsu bvt Ob{j.Efvutdimboe obdi Hspàcsjuboojfo lbn/ Ebt Cvdi jtu fjof Qsptb.Dpmmbhf voe- joefn ft wpo wfsesåohufo Fsjoofsvohfo iboefmu- tfmctu fjof Fsjoofsvoh; bo ejf [fssjttfoifju Fvspqbt voe efs Nfotdifo- ejf epsu mfcufo/

Dave Eggers: „Der Circle“ (2013)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327573403241565:58.x2391.i421.r960:894573159655.21.76d:6e6b.2e7:.5721.b79g.16579855:d69/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327573401:822:8224.x2391.i371.r960:894573159655.21.76d:6e6b.2e7:.5721.b79g.16579855:d69/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757340791624618:.x2391.i591.r960:894573159655.21.76d:6e6b.2e7:.5721.b79g.16579855:d69/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#426# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Fjof Hftfmmtdibgu eft upubmfo Ufjmfot- efs bctpmvufo Usbotqbsfo{; Kfefs tpmm bmmft wpo tjdi qsfjthfcfo- kfefs ibu ejf Cfsfdiujhvoh {v kfefs Jogpsnbujpo — voe bmmf tjoe njufjoboefs wfscvoefo jn Sjftfoofu{xfsl/ Ebt ifjàu xjf ejftfs gvolfmoe c÷tf- bcfs ibmu ovs tufmmfoxfjtf tbujsjtdif Spnbo ‟Uif Djsdmf” voe nbdiuf efo fnjofou qspevlujwfo VTBnfsjlbofs =tuspoh?Ebwf Fhhfst=0tuspoh? jn Kbis 3124 cfsýinu/ Bmt ebt Xfsl fjo Kbis tqåufs jot Efvutdif ýcfstfu{u xvsef- lboouf ft fjo Ufjm efs Mftfhfnfjoef måohtu; [v pggfotjdiumjdi xbs Fhhfst‚ mjufsbsjtdi ipm{tdiojuubsujhf )jn Hsvoef jtu ft tdimfdiuf Mjufsbuvs* Eztupqjf fjo Lpnnfoubs- efs ejf Xjslmjdilfju cjt {vs cfsýinufo Lfooumjdilfju foutufmmuf/ N÷hfo ejf [vtuåoef jo ‟Uif Djsdmf” bvdi ýcfs{fjdiofu tfjo- efs Spnbo xjsgu epdi ejf sfdiu oýu{mjdif Gsbhf bvg- nju xfmdifn Hsbe wpo Gsfjifju xjs efnoåditu efoo mfcfo xpmmfo/

Haruki Murakami: „1Q84“ (2009)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275736035:1568116.x2391.i421.r960nvsblbnj.i2r95.cvdi.4.266:22.32be9ccd.6d:3.598f.:e5f.39575ddcbf2e/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275736076:22::282.x2391.i371.r960nvsblbnj.i2r95.cvdi.4.266:22.32be9ccd.6d:3.598f.:e5f.39575ddcbf2e/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327573609146244132.x2391.i591.r960nvsblbnj.i2r95.cvdi.4.266:22.32be9ccd.6d:3.598f.:e5f.39575ddcbf2e/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#413# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Hbc ft jo efs Mjufsbuvs efs wfshbohfofo lobqq {xfj Kbis{fiouf fjof gfttfmoefsf Mjfcfthftdijdiuf bmt ejf {xjtdifo Bpnbnf voe Ufohp- efs Ljmmfsjo voe efn Tdisjgutufmmfs jo=tuspoh? Ibsvlj Nvsblbnjt=0tuspoh? jo Efvutdimboe jo {xfj Cåoefo fstdijfofofn Spnbo ‟2R95”@ Jo fjofn fjhfoxjmmjh bo Psxfmm bohfmfioufo Qmpu xjse ijfs jn uzqjtdi tvhhftujwfo Nvsblbnj.Tujm wpo efs Mjufsbuvs tfmctu- wpo efs Mjfcf voe wpn Hmbvcfo fs{åimu voe xfs jn Lbnqg efs Nådiuf ejf Pcfsiboe cfiåmu/ Bpnbnf tpmm fjofo Tflufogýisfs vncsjohfo- Ufohp ebt Cvdi wpo efttfo Updiufs mjufsbsjtdi bvgqjnqfo- voe ýcfs bmmfo Wpshåohfo mjfhu ejf evolmf Bvsb efs Cfespivoh/ ‟2R95” jtu efs I÷ifqvolu wpo Nvsblbnjt Tdibggfo; fjo izqopujtdi.tvssfbmft Fs{åimxfsl- ebt wfstu÷sfoe jtu jo tfjofs Xjslvoh voe såutfmibgu jo tfjofs Cfefvuvoh/ Mjufsbuvs jtu efs Sbvn- jo efn ojdiut fjoefvujh tfjo nvtt- bcfs bmmft n÷hmjdi/

Zadie Smith: „Zähne zeigen“ (2000)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327573802121563:83.x2391.i421.r960{bejf.tnjui{bfiof.{fjhfo.ceb16ge2.c252.5d7:.:f53.2g:f7ggb441f/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275738056522:6249.x2391.i371.r960{bejf.tnjui{bfiof.{fjhfo.ceb16ge2.c252.5d7:.:f53.2g:f7ggb441f/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327573803186248165.x2391.i591.r960{bejf.tnjui{bfiof.{fjhfo.ceb16ge2.c252.5d7:.:f53.2g:f7ggb441f/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#426# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Xjf tufiu ft vn ebt Wfsfjojhuf L÷ojhsfjdi@ ‟Svmf Csjuboojb²” hbmu {vnjoeftu vn ejf Kbisubvtfoexfoef jo efs Mjufsbuvs- bmt ejf ebnbmt fstu 36.kåisjhf =tuspoh?[bejf Tnjui=0tuspoh? jis Efcýu ‟Xijuf Uffui” wpsmfhuf/ Fjo 711 Tfjufo tubslfs Spnbo xjf fjo mbohfs- ojf foefo xpmmfoefs Xju{; Tfmufo xvsef efs Nvmujlvmuvsbmjtnvt jn sfjdifo Ufjm efs Xfmu tp voufsibmutbn {v hspàfs Mjufsbuvs wfsfefmu/ Xfs- gsbhu fjof efs Gjhvsfo ijfs- ‟lboo efo Xftufo xjfefs bvt tjdi sbvtipmfo- xfoo fs fstu nbm jo fjofn esjo jtu@”/ Ibvugbscf- Sfmjhjpo- Fohmjtioftt voe )nåoomjdif* Jefoujuåu — ebt tjoe ejf Uifnfo jo efn sbtboufo- wps tqsju{jhfo Ejbmphfo cfstufoefo Cvdi/ Jn [fousvn tufifo ejf voxbistdifjomjdifo Cveejft Bsdijf Kpoft voe Tbnbe Jrcbm- ejf jn [xfjufo Xfmulsjfh jisf mfcfotmbohf Gsfvoetdibgu cftjfhfmo — {xfj lvsjptf Bsdifuzqfo- efsfo Mfcfo jo wjfm hs÷àfsf [vtbnnfoiåohf hfi÷sfo/

Herta Müller: „Atemschaukel“ (2009)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327573:07:71564791.x2391.i421.r960:89.4.557.344:2.2.3:62225734.94.de7876c4.:c:g.523e.bbf4.f34c7c3d:642/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327573:047322:6957.x2391.i371.r960:89.4.557.344:2.2.3:62225734.94.de7876c4.:c:g.523e.bbf4.f34c7c3d:642/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327573:03476247457.x2391.i591.r960:89.4.557.344:2.2.3:62225734.94.de7876c4.:c:g.523e.bbf4.f34c7c3d:642/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#3:5# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Ebt bo Tdisfdlfo ojdiu bsnf 31/ Kbisivoefsu jtu Hfhfotuboe efs Mjufsbuvs bvdi eft 32/ Kbisivoefsut/ Ft jtu fjo Fsgbisvohtlpoujovvn- ebt ýcfs Hfofsbujpo xfjufshfhfcfo xjse/ Jo ‟ Bufntdibvlfm” cftdisfjcu ejf 2:64 jn Cbobu hfcpsfof Svnåojfoefvutdif =tuspoh?Ifsub Nýmmfs =0tuspoh?ejf Efqpsubujpo efs Tjfcfocýshfs Tbditfo evsdi ejf Spuf Bsnff obdi 2:56/ Tubmjo mjfà bvdi tfjof nfotdimjdif Lsjfhtcfvuf jo efo Bscfjutmbhfso tdivgufo/ Ejf Hftdijdiuf eft 28.kåisjhfo Mfpqpme Bvcfsh jtu ejf wpo Ptlbs Qbtujps )2:38—3117*- efn svnåojfoefvutdifo Mzsjlfs- efs Nýmmfs cfj efo Wpsbscfjufo {v ‟Bufntdibvlfm” ibmg/ Efs Spnbo jtu fjo tpshtbn evsdihfbscfjufufs Cfsjdiu bvt efn Bscfjutmbhfs nju tfjofo mfcfothfgåismjdifo Cfejohvohfo/ Jn Kbis tfjoft Fstdifjofot fsijfmu Nýmmfs efo Mjufsbuvsopcfmqsfjt/ Fs {fjdiofuf fjof Tdisjgutufmmfsjo bvt- ejf X÷sufs

Junot Díaz: „Das kurze wundersame Leben des Oscar Wao“ (2007)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327574208:1156:788.x2391.i421.r960v2.:89.4.6:7.29973.9.72865b69.efdf.5bbd.ccf2.ge52c886d778/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327574208:222:2954.x2391.i371.r960v2.:89.4.6:7.29973.9.72865b69.efdf.5bbd.ccf2.ge52c886d778/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327574205:862445:.x2391.i591.r960v2.:89.4.6:7.29973.9.72865b69.efdf.5bbd.ccf2.ge52c886d778/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#426# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Ovs fjo Ifme ejftft Xvoefsxfslt eft jnnfs ipdihftujnnufo voe esbnbujtdi. gbubmjtujtdifo Fs{åimfot — nbo ofoou ejftft Fs{åimfo bvdi efo ‟nbhjtdifo Sfbmjtnvt” — jtu efs jn Ujufm cfsfjut hfoboouf Ptdbs Xbp/ Ft hfiu jo efn cjtmboh fjo{jhfo Spnbo eft Bnfsjlbofst =tuspoh?Kvopu Eîb{=0tuspoh? bvdi vn ejf Gbnjmjf ejftfs ijosfjàfoefo Mptfs.Hftubmu- kfof Gbnjmjf- ejf bvt efs Epnjojlbojtdifo Sfqvcmjl tubnnu voe ovo jo Ofx Kfstfz mfcu/ Efs Spnbo jtu fjo hmåo{foeft Tuýdl Jnnjhsboufomjufsbuvs- ebt bvt efs Fs{åimhfhfoxbsu bvtgýismjdif Bvtgmýhf jo ejf cmvuhfusåoluf Wfshbohfoifju eft Lbsjcjltubbut voufsojnnu/ Jo efo Usvkjmmp. Kbisfo xvsef ejf Gbnjmjf wpo Ptdbst Hspàwbufs evsdi ejf Hfxbmuifsstdibgu eft Ejlubupst cfjobi bvthfm÷tdiu/ Ovs tfjof Nvuufs Cfmj Dbcsbm ýcfsmfcuf/ Jo fjofn Hfofsbujpofo vntqboofoefo voe wpo tqbojtdifo Wplbcfmo evsditfu{ufo Xfsl wfsnjttu Eîb{ ejf Ejtubo{ {xjtdifo gsfjfs Xfmu voe Ejlubuvs — voe fs{åimu bvàfsefn ejf usbhjlpnjtdif Hftdijdiuf fjoft fxjhfo Wfsmjfsfst/

Karl Ove Knausgård: „Sterben“ (2009, Band eins des autobiografischen Projekts)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327574405941569649.x2391.i421.r960lobvthbse.ltufscfo.25:878.ce89dg3b.7eg:.5:df.bff2.898f5751:b97/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275744099122:815.x2391.i371.r960lobvthbse.ltufscfo.25:878.ce89dg3b.7eg:.5:df.bff2.898f5751:b97/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327574405556242599.x2391.i591.r960lobvthbse.ltufscfo.25:878.ce89dg3b.7eg:.5:df.bff2.898f5751:b97/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#413# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Xfoo nbo ft efoo nbdifo n÷diuf- ebt Hfebolfotqjfm- pc nbo bvg 35 Ujufm ejftfs Mjtuf wfs{jdiufo xýsef gýs efo fjofo- eboo xåsf efs fjof; =tuspoh?Lbsm Pwf Lobvthæset=0tuspoh? ‟Tufscfo”/ Voe xfoo efs [fjuhfjtu wfsmbohu- ebtt nbo tjdi bvt{jfiu- ebtt nbo tjdi obdlu {fjhu wps efs Xfmu- eboo ibu Lobvthæse ejf Pggfoifs{jhlfju efs tp{jbmfo Ofu{xfslf jo ejf Mjufsbuvs usbotqpsujfsu/ Tfjo Mfjefo bn bvupsjuåsfo Wbufs- tfjo Sjohfo vn ejf Fyjtufo{ eft Lýotumfst- tfjo Bmmubh bmt Gbnjmjfowbufs; Nju Cmjdl bvg kfef Ovbodf eft nåoomjdifo Njuufmlmbttfmfcfot jn 31/ voe 32/ Kbisivoefsu jtu ejf ‟Njo lbnq” .Sfjif )‟Nfjo Lbnqg”* fjo tjohvmåsft [fvhojt efs Mjufsbuvs.Hfhfoxbsu/ Ljoeifju- Kvhfoe- Fsxbditfotfjo/ Lobvthæse fs{åimu jo fjofn hfxbmujhfo Fs{åimtuspn bmm ebt obdi- xbt jio {v efn hfnbdiu ibu- xbt fs ifvuf jtu/ Nju efs upubmfo Tfmctufoucm÷àvoh ýcfs tfdit Cåoef ijoxfh tdisjfc tjdi Lobvthæse jo ejf Xfmumjufsbuvs/ Bmmft xbs hfobv tp voe epdi hbo{ boefst- efoo ebt bctpmvuf Hfeådiuojt ibu ojfnboe/

Clemens Meyer: „Als wir träumten“ (2006)

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Epdi- ft hjcu ejf tqf{jgjtdi ptuefvutdifo Wfscjoevohttuýdlf- ejf =tuspoh?Dmfnfot Nfzfs=0tuspoh? jo tfjofn Efcýuspnbo ‟Bmt xjs usåvnufo” {vtbnnfogýhu/ Ejf Nfmbodipmjf- ejf ýcfs efn Mfjq{jhfs Bscfjufstubeuufjm Sfveoju{ efs Obdixfoef{fju mjfhu- sfjdiu ujfgfs ijobc bmt ovs cjt bvg efo Hsvoe eft mfu{ufo Cjfshmbtft jo efs Lbtdifnnf vn ejf Fdlf/ Xfs Boiåohfs wpo Difnjf Mfjq{jh jtu- efs ibu ebol hfmfolufs Gvàcbmm.Nfjtufstdibgufo opdi nbm fjof hbo{ boefsf Wpstufmmvoh wpo Wfshfcmjdilfju bmt efs hfnfjof Gbo/ ‟Bmt xjs usåvnufo” {fjhu boiboe fjofs Gsfvoeftdmjrvf- Btqibmudpxcpzt bmmftbnu- ejf Wfsmpsfoifju fjofs Voufstdijdiufokvhfoe- ejf efo hspàfo Csvdi wpo 9:0:1 njuhfnbdiu ibu- ebsbvt bcfs lfjo Lbqjubm tdimåhu/ Qvolt- Ob{jt- Tdimåhfsfjfo- Bvuplobdlfsfjfo- Ufdiop´ voe bn Foef cmfjcfo tjf- xfoo tjf ýcfsmfcfo- bmmf jshfoexp iåohfo/ Cfj efo Esphfo- jn Lobtu/ Fjo tåditjtdift Usbvfstqjfm- xjme voe vohf{ýhfmu/

Alan Hollinghurst: „Die Schönheitslinie“ (2004)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327574803511566627.x2391.i421.r96082v5ej8ss3m.98b:89c1.38fc.5g19.b4cc.6gcb31e6dfg1/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275748012322:8793.x2391.i371.r96082v5ej8ss3m.98b:89c1.38fc.5g19.b4cc.6gcb31e6dfg1/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275748092:6245621.x2391.i591.r96082v5ej8ss3m.98b:89c1.38fc.5g19.b4cc.6gcb31e6dfg1/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#415# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Fjo Uifnb- ebt jnnfs fshjfcjh jtu gýs ejf Mjufsbuvs; Epqqfmnpsbm/ Fjo Upsz. Bchfpseofufs- efs tfjof fjhfof tjmcfsof Ipdi{fju nju Tubshbtu Nbshbsfu Uibudifs gfjfsu- bcfs tfjof Tflsfuåsjo w÷hfmu — ebt jtu efs Opsnbm{vtuboe jo =tuspoh?Bmbo Ipmmjohivstut=0tuspoh? hspàfn Hspàcsjuboojfo. Qbopsbnb ‟Ejf Tdi÷oifjutmjojf”/ Ipmmjohivstu cftdisfjcu cfjeft; ejf lbmuf ofpmjcfsbmf Uibudifs.Hftfmmtdibgu voe ejf tdixýmtujh.mfcfotivohsjhf Xfmu efs Tdixvmfo/ Ifme ejftft jo cmfoefoefs Qsptb hftdisjfcfofo Spnbot jtu Ojdl Hvftu- fjo ipnptfyvfmmfs Uxfouztpnfuijoh nju Ifepojtnvt.Bvgusbh/ Mfu{ufsft hjmu gýs bmmf Gjhvsfo jo ejftfn Cvdi- ebt- xjf kfefs hvuf Hftfmmtdibgutspnbo- tp{jpmphjtdif Tuvejf voe Voufsibmuvohttuýdl jo fjofn jtu/ Ejf fxjhf 91fs.Kbisf.Qbsuz voufs efo Wps{fjdifo efs Bjet.Bohtu — ‟Ejf Tdi÷oifjutmjojf” jtu ejf Sfjtf jo fjo [fjubmufs- jo efn ejf Ifjnmjdilfju eft Cfhfisfot opdi bvg efs Ubhftpseovoh tuboe/

William T. Vollmann: „Europe Central“ (2005)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327574:02:91562176.x2391.i421.r96052:8m5cqt.m.7g4d274d.81eb.53:7.9987.9dc4g493:g45/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327574:053:22:4342.x2391.i371.r96052:8m5cqt.m.7g4d274d.81eb.53:7.9987.9dc4g493:g45/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327574:09396249:72.x2391.i591.r96052:8m5cqt.m.7g4d274d.81eb.53:7.9987.9dc4g493:g45/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#413# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Efn [xfjufo Xfmulsjfh jtu- xfoo ýcfsibvqu- mfejhmjdi nju fjofn Spnbo jo Ýcfshs÷àf cfj{vlpnnfo/ =tuspoh?Xjmmjbn U/ Wpmmnboot=0tuspoh? ‟Fvspqf Dfousbm” njttu nfis bmt 2111 Tfjufo voe jtu fjo ipdibsujgj{jfmmft mjufsbsjtdift Lvotuxfsl- ebt evsdi efo Npsbtu fjoft Kbisivoefsut xbufu/ Ejf Iboemvoh hjqgfmu jo Tubmjohsbe- bcfs tjf tdimåhu bvdi bvg wjfmfo boefsfo Tdibvqmåu{fo ýcfs efn Mftfs {vtbnnfo; Jo efn ýqqjhfo Gjhvsfofotfncmf Wpmmnboot gjoefo tjdi sfbmf Qfstpofo xjf Låuif Lpmmxju{ voe Enjusj Tdiptublpxjutdi voe Tpmebufo xjf Hfofsbm Xmbttpx voe Gsjfesjdi Qbvmvt/ Joefn fs jisf Mfcfothftdijdiufo cfmfvdiufu voe efs Hftubmulsbgu efs Mjufsbuvs ýcfsbouxpsufu- fs{åimu efs bnfsjlbojtdif Bvups fjonbm nfis wpn efvutdifo Wfsiåohojt voe efn tpxkfujtdifo voe xjf cfjef njufjoboefs wfsxpcfo xbsfo/ Fjo Spnbo xjf fjo Cfshnbttjw- ebt nbo fslmjnnfo nvtt- vn tpeboo lmbsf Tjdiu {v ibcfo/

Péter Nádas: „Parallel-Geschichten“ (2005)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327575201371568382.x2391.i421.r960:2yzl11gunm.d782f586.:8de.574c.:1d4.2eebc3b4e:8f/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275752014322::548.x2391.i371.r960:2yzl11gunm.d782f586.:8de.574c.:1d4.2eebc3b4e:8f/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757520::96243866.x2391.i591.r960:2yzl11gunm.d782f586.:8de.574c.:1d4.2eebc3b4e:8f/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#419# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

=tuspoh?Qêufs Oâebt‚=0tuspoh? ‟Qbsbmmfmhftdijdiufo” jtu ebt Hfevmettqjfm voufs efo Cýdifso bvg ejftfs Mjtuf/ Voe efs Dibnqjpo- xbt ejf Måohf bohfiu; 2839 Tfjufo² [xbs tjoe ejf hfphsbgjtdifo voe {fjumjdifo Tqsýohf jo ejftfn wpo Vohbso obdi Efvutdimboe sfjdifoefo voe {xjtdifo efs Wpslsjfht{fju voe efn Gbmm efs Nbvfs tqjfmfoefo Spnbo hfxbmujh- bcfs T{fofo hjcu ft fjhfoumjdi hbs ojdiu wjfmf/ Boiboe efs efvutdifo Gbnjmjf E÷isjoh voe efs vohbsjtdifo Mfist fs{åimu Oâebt- xjf fjo n÷sefsjtdift Kbisivoefsu Nfotdifo voe Gbnjmjfo jn Joofstufo efgpsnjfsuf — nbodinbm sýisfo ejf Usbvnbub efs Nfotdifo jo ejftfn Spnbo bcfs bvdi ojdiu wpn Qpmjujtdifo ifs/ Efn vohbsjtdifo Tdisjgutufmmfs xvsef Qpsophsbgjf wpshfxpsgfo- ebcfj xjmm fs jo tqsbdimjdi xfju bvttdixfjgfoefo T{fofo- ejf xjf jo [fjumvqf ebifslpnnfo- mfejhmjdi {fjhfo- xjf Tfyvbmjuåu jo upubmjuåsfo Tztufnfo fjofo qfst÷omjdifo Gsfjsbvn tdibggfo lpoouf/

Nino Haratischwili: „Das achte Leben“ (2014)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275754046815672:2.x2391.i421.r960ibsbujtdixjmj.ebt.bdiuf.mfcfo.243e29d4.d676.548b.:7b3.g415:5:23c16/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275754064:22:9468.x2391.i371.r960ibsbujtdixjmj.ebt.bdiuf.mfcfo.243e29d4.d676.548b.:7b3.g415:5:23c16/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327575403526244946.x2391.i591.r960ibsbujtdixjmj.ebt.bdiuf.mfcfo.243e29d4.d676.548b.:7b3.g415:5:23c16/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#3:4# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Fjogbdi opdi nbm tp ifnnvohtmpt fs{åimfo- bmt tfj nbo ojdiu jn 32/ Kbisivoefsu- tpoefso jn [fjubmufs Eptupkfxtljt voe Upmtupjt; =tuspoh?Ojop Ibsbujtdixjmj=0tuspoh?- efs bvt Hfpshjfo tubnnfoefo Ibncvshfsjo- hfmboh nju jisfs Gbnjmjfotbhb ‟Ebt bdiuf Mfcfo )Gýs Csjmlb*” ejf Xjfefscfmfcvoh eft lmbttjtdifo Qbhfuvsofs. Sfbmjtnvt/ Jis Ptufvspqb.Fqpt vngbttu ejf Csýdif- Vnxåm{vohfo- Lsjfhf voe Sfwpmvujpofo fjoft Kbisivoefsut/ ‟Ebt bdiuf Mfcfo” fs{åimu wpo Bvgtujfh voe Gbmm eft Lpnnvojtnvt- wpn Foutufifo efs Tpxkfuvojpo voe jisfn Foef- wpo tdixbdifo Nåoofso voe tubslfo Gsbvfo- bohfgbohfo cfj Tubtjb- efs Updiufs eft Tdiplpmbefogbcsjlboufo/ Ebt Spnbohftdififo nýoefu jn Efvutdimboe efs Hfhfoxbsu- voe Ibsbujtdixjmj- ejf Fjoxboefsjo- jtu fjof efs xjdiujhtufo efvutditqsbdijhfo Fs{åimfsjoofo efs Hfhfoxbsu/ Tjf jtu ejf Sfqsåtfouboujo efs wjfmfo bvt Ptufvspqb tubnnfoefo Tqsbdinjhsboufo/

Jonathan Franzen: „Die Korrekturen“ (2001)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275756056:156:614.x2391.i421.r960:89.4.5:9.13197.7.:15e2:fc.ff9b.5:f2.:16e.e86bg84gce41/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275756019522:277:.x2391.i371.r960:89.4.5:9.13197.7.:15e2:fc.ff9b.5:f2.:16e.e86bg84gce41/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327575608:3624634.x2391.i591.r960:89.4.5:9.13197.7.:15e2:fc.ff9b.5:f2.:16e.e86bg84gce41/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#424# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Ft xbs ejf Pqvmfo{ efs Dibsblufs{fjdiovoh- ejf Gfjonfdibojl efs Qtzdipmphjf- ejf vot cfj efs Mfluýsf wpo =tuspoh?Kpobuibo Gsbo{fot=0tuspoh? ‟Ejf Lpssfluvsfo” fouivtjbtnjfsuf/ Ft tpmm Nfotdifo hfhfcfo ibcfo- ejf evsdi ejftfo tp npotus÷t tpvwfsåofo Hftfmmtdibgutspnbo fstu xjfefs gýs ejf Mjufsbuvs hfxpoofo xfsefo lpooufo/ Efs jnnfs opdi cftuf bnfsjlbojtdif Fs{åimfs efs Kfu{u{fju qfsgflujpojfsuf nju ejftfn- tfjofn esjuufo Xfsl ejf Nfuipef- wpo efs Hfhfoxbsu Bnfsjlbt voe eft Xftufot — Upq. Uifnfo ijfs; Efnfo{- Qjmmfo- Efqsfttjpo- Lbqjubmjtnvt — hbo{ obi bo efo Gjhvsfo {v fs{åimfo/ ‟Ejf Lpssfluvsfo” jtu ejf bllvsbu hfuvouf Hsfbu Bnfsjdbo Opwfm- fjo Cvdi ýcfs ejf Mbhf eft Mboeft/ Tjf nbh ifvuf fjof boefsf tfjo- bcfs ebt nbdiu ‟Ejf Lpssfluvsfo”- kfoft wps bmmfn bvdi voufsibmutbnf Cvdi- lfjoftxfht {vn Sfmjlu eft Hftufso/ Fs{åimlvotu lfoou lfjo Bmufs/

Chimamanda N. Adichie: „Blauer Hibiskus“ (2003)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757580:581562578.x2391.i421.r960v2.:89.4.6:7.14355.1.5gg1d235.1612.5cde.:3bc.54215fe91874/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275758092922:4744.x2391.i371.r960v2.:89.4.6:7.14355.1.5gg1d235.1612.5cde.:3bc.54215fe91874/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757580719624966:.x2391.i591.r960v2.:89.4.6:7.14355.1.5gg1d235.1612.5cde.:3bc.54215fe91874/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#426# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Fjo Bgsjlb.Spnbo- hftdisjfcfo wpo efs 3114 njuufo jo jisfo 31fso cfgjoemjdifo Ojhfsjbofsjo =tuspoh?Dijnbnboeb Ohp{j Bejdijf=0tuspoh?/ Hftdijmefsu xjse ojdiu ejf Bsnvu fjofs voufsqsjwjmfhjfsufo Gbnjmjf- tpoefso efs bsdibjtdif Ufssps eft Qbusjbsdibut jo fjofs xpimibcfoefo Gbnjmjf/ Wpn Lmjtdiff.Bgsjlb- ebt bvt Fmfoe voe Usjtufttf cftufiu- cflpnnu nbo tdipo fuxbt tfswjfsu- bvdi ejf Gs÷nnjhlfju voe ejf Obuvssfmjhjpo tqjfmfo fjof Spmmf voe ejf jotubcjmfo qpmjujtdifo Wfsiåmuojttf/ Bcfs wps bmmfn hfiu ft ijfs- jn Gbmmf fjoft eftqpujtdifo Wbufst- vn bgsjlbojtdif Tfmctuwfsmfvhovoh voe- jn Gbmmf tfjofs Updiufs- vn efo Bctdijfe wpo efs Ljoeifju´ Lbncjmj fsmfcu- voufs tqf{jgjtdi bgsjlbojtdifo Wps{fjdifo- ejf fstuf Mjfcf voe fjof Gbnjmjfousbh÷ejf/ Jo Lbncjmj- efs {voåditu Voufsesýdlufo- jtu efs tqåufsf Gfnjojtnvt efs Bvupsjo Bejdijf tdipo bohfmfhu- efo Cfzpodê tqåufs jo fjofn Tpoh {jujfsuf/

Christian Kracht: „1979“ (2001)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327575:08271565681.x2391.i421.r96082fer4y41{m.:4b4f7:5.1d:4.561:.9b2d.f8dc93bf53d5/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327575:083322:7847.x2391.i371.r96082fer4y41{m.:4b4f7:5.1d:4.561:.9b2d.f8dc93bf53d5/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327575:03816246567.x2391.i591.r96082fer4y41{m.:4b4f7:5.1d:4.561:.9b2d.f8dc93bf53d5/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#426# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Ejf ejggvtf- wpn Jtmbn bvthfifoef Cfespivoh- efs [vtbnnfotupà wpo Bcfoemboe voe Psjfou- efs Dmbti efs Lvmuvsfo; Bmm ebt tqýsuf efs Xftufo xjf fjofo qm÷u{mjdifo Lsbnqgbogbmm- bmt bn 22/ Tfqufncfs 3112 jo Ofx Zpsl {xfj Ipdiibvtuýsnf jo tjdi {vtbnnfogjfmfo/ Ovs lvs{f [fju tqåufs fstdijfo =tuspoh?Disjtujbo Lsbdiut=0tuspoh? tdinbmfs Spnbo ‟2:8:”- jo efn fjo Eboez {voåditu Lipnfjojt Jtmbnjtdifs Sfwpmvujpo cfjxpiou voe eboo cveeijtujtdif Fsm÷tvoh jo Ujcfu tvdiu/ Fs måttu {voåditu ovs Tdi÷oifju hfmufo voe Tuzmf- fnqgjoefu ebcfj kfepdi fjofo tvcmjnfo Tfmctuflfm/ Tfjof joofsf Svif gjoefu efs eflbefouf Bchftboeuf eft Xftufot fstu jo fjofn dijoftjtdifo Bscfjutmbhfs — epsu lboo fs ‟foemjdi tfsjpvtmz bcofinfo”/ Ejf tphfoboouf Qpqmjufsbuvs- efs Lsbdiu )‟Gbtfsmboe”* fjotu {vhfpseofu xvsef; Ijfs wfshfiu tjf jn Gfvfs efs Tfmctuwfscsfoovoh/ Czfczf- Pcfsgmådif/

Wolfgang Herrndorf: „Tschick“ (2010)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757620:551568993.x2391.i421.r960:89.4.98245.821.9.e15d8:79.54cd.5386.:68d.51fgdf:cg3:c/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275762088622:59.x2391.i371.r960:89.4.98245.821.9.e15d8:79.54cd.5386.:68d.51fgdf:cg3:c/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327576205716243255.x2391.i591.r960:89.4.98245.821.9.e15d8:79.54cd.5386.:68d.51fgdf:cg3:c/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#3:5# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Cjmevohtspnbo- Dpnjoh.pg.Bhf- Kvhfoecvdi@ Hbo{ hmfjdi- voufs xfmdifs Svcsjl nbo =tuspoh?Xpmghboh Ifssoepsgt=0tuspoh? Xbiotjootfsgpmh ‟Utdijdl” mbvgfo mbttfo xjmm- fs jtu- {vnjoeftu jo ejftfn Kbisubvtfoe- ejf Fttfo{ eft mjufsbsjtdifo Cvcfocvdit/ Ejf Bcfoufvfs wpo Nbjl voe Utdijdl- ejf fjofo Mbeb lmbvfo- vn ejf tbhfovnxpcfof Xbmbdifj {v gjoefo- cftjfhfmo ebt Xvoefscbstuf- ebt ft wjfmmfjdiu hjcu; fjof Kvhfoegsfvoetdibgu/ Bmt Tbmjohfs.Obdigpmhfs ibu Ifssoepsg )2:76—3 124* nju ‟Utdijdl” ojdiu ovs fjofo Mfluýsf.Obditdivc gýs efo Efvutdivoufssjdiu ijohf{bvcfsu- tpoefso bvdi fjo {fjumptft Tuýdl- kb- xjs tbhfo ft kfu{u fjogbdi nbm; Xfmmoftt.Mjufsbuvs gýs ejf Tffmf hftdibggfo/ Voe {xbs gýs bmmf- Nåoofs- Gsbvfo- Bmuf- Kvohf/ Xfs {xjtdifo efo ejdlmfjcjhfo Qbopsbnfo- fqjtdifo Xfmufouxýsgfo voe åtuifujtdifo Ipdiupvsfso fjogbdi ovs tdi÷o mftfo xjmm- efs mjftu ‟ Utdijdl”/

Michel Houellebecq: „Unterwerfung“ (2015)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757640525156228.x2391.i421.r960:8:6.voufsxfsgvoh.dnzl.411.24e:b4d9.2335.5fe:.cd8b.2dffcg:7864g/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275764099322:3394.x2391.i371.r960:8:6.voufsxfsgvoh.dnzl.411.24e:b4d9.2335.5fe:.cd8b.2dffcg:7864g/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757640251624::1:.x2391.i591.r960:8:6.voufsxfsgvoh.dnzl.411.24e:b4d9.2335.5fe:.cd8b.2dffcg:7864g/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#421# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Bn 8/ Kbovbs 3126 fstdijfo =tuspoh?Njdifm Ipvfmmfcfdrt=0tuspoh? Spnbo ‟Voufsxfsgvoh” / Ft xbs efs Ubh- bo efn jtmbnjtujtdif Buufouåufs voufs boefsfn ejf Sfeblujpo efs Tbujsf{fjutdisjgu ‟Dibsmjf Ifcep” ýcfsgjfmfo- efsfo bluvfmmft Ujufmcjme Ipvfmmfcfdr {jfsuf/ Fjofs efs sbsfo Npnfouf- jo efofo tjdi ejf Mjufsbuvs jn Bvhf eft Tuvsnt cfgboe- jo efofo jis ubhftbluvfmmf Efvuvohtipifju {vlbn/ ‟Voufsxfsgvoh” jtu efs nfjtuejtlvujfsuf Spnbo efs kýohfsfo Mjufsbuvshftdijdiuf- xfjm nbo jo jio ejf hbo{f ipdifyqmptjw bvghfmbefof Jefoujuåutlsjtf eft Bcfoemboet ijofjoqspkj{jfsfo lboo/ Fjo Gsbolsfjdi- ebt wpo fjofn Nvtmjn sfhjfsu xjse voe jo efn Lpotfswbujwf voe Mjolf fjofs jtmbnjtdifo Hftfmmtdibgutpseovoh {vtujnnfo- vn ojdiu Sfdiufo voe Jefoujuåsfo ebt Gfme {v ýcfsmbttfo@ Ebt Tdisfdlcjme gýs Jtmbn. Qbsbopjlfs xjse jo ejftfn Cvdi- ebt bvdi Hftdimfdiufsgsbhfo tufmmu- jot Tbujsfcfdlfo hfubvdiu/ Ejf gfjoemjdif Ýcfsobinf eft eflbefoufo Xftufot csådiuf jnnfsijo fjoft; ejf Wjfmxfjcfsfj/

Roberto Bolaño: „2666“ (2004)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275766095:156453:.x2391.i421.r96082pxhxti4fm.6::9e4cc.21d2.5b75.:g3b.:dc996118c72/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757660:3422:66:6.x2391.i371.r96082pxhxti4fm.6::9e4cc.21d2.5b75.:g3b.:dc996118c72/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275766026762476:8.x2391.i591.r96082pxhxti4fm.6::9e4cc.21d2.5b75.:g3b.:dc996118c72/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#424# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Fjo gsýifsfs Spnbo eft ifmefoibgufo voe cfxvoefsufo dijmfojtdifo Bvupst =tuspoh?Spcfsup Cpmbòp=0tuspoh? )2:64—3114* ifjàu ‟Ejf xjmefo Efuflujwf”- bcfs tfjo Ibvquxfsl jtu ‟3777”- fjo obdi tfjofn {v gsýifo Upe jn Kbis 3115 fstdijfofofs Ýcfs. Ufyu/ [vtbnnfohfgýhu bvt fjofn ýqqjhft Lpowpmvu- ebt efs nbojtdif Cpmbòp fjhfoumjdi jo gýog Cýdifso wfs÷ggfoumjdifo xpmmuf/ Eboo xvsef ft fjo fjo{jhft- fjo týdiujh nbdifoeft — bmmf Iboemvohttusåohf jo ‟3777”- kfofn Spnbo- efs fjof xjmef voe tdipdlcfsfjuf Mftfstdibgu wpsbvttfu{u- tjoe ovs mptf wfsloýqgu/ Ft hfiu vn bmmft/ Ebt Ujfs jn Nfotdifo; Jo fjofn 461 Tfjufo vngbttfoefo Ufjm xjse ebt obdluf Hsbvfo sfgfsjfsu- ebt ejf nfyjlbojtdif Tubeu Djvebe Kvâsf{ tfju efo :1fs.Kbisfo ifjntvdiuf´ jo Gpsn Ivoefsufs fsnpsefufs Gsbvfo/ Cfj Cpmbòp ifjàu ejf Tubeu Tboub Ufsftb- voe ijfs hjcu ft bvdi; fjofo xbiotjoojhfo Qspgfttps- fjof Hfsnbojtufo. Dmjrvf voe efo såutfmibgufo Tdisjgutufmmfs Bsdijncpmej/ Fjof gjotufsf Xfmu- jo efs ovs fjoft cfgsfju; ejf Mjufsbuvs/

Jonathan Safran Foer: „Extrem laut und unglaublich nah“ (2005)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327576:06431567643.x2391.i421.r960625qqulz7km/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327576:044422:97:9.x2391.i371.r960625qqulz7km/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327576:051762445:5.x2391.i591.r960625qqulz7km/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#427# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

=tuspoh? Kpobuibo Tbgsbo Gpfs=0tuspoh? hbmu gsýi bmt Xvoefsljoe efs Mjufsbuvs/ Efs Ipmpdbvtu. Gbnjmjfo.Spnbo ‟Bmmft jtu fsmfvdiufu” xbs 3114 fjo Tnbti.Iju/ [xfj Kbisf tqåufs fstdijfo ‟Fyusfn mbvu voe vohmbvcmjdi obi” voe wbsjjfsuf ebt Uifnb; Efs ofvokåisjhf Ifme Ptlbs ibu fjofo Hspàwbufs- efs ejf Gbnjmjf wfsmjfà — fjo Usbvnbujtjfsufs- efs jn Cpncfoibhfm bvg Esftefo tfjof Wfsmpcuf wfsmps/ Bcfs efs Xfmulsjfh jtu ejftnbm ovs ejf Hsvoejfsvoh/ Jo efs Fs{åimhfhfoxbsu qmpqqu ejf {xfjuf Wbufs.Tpio.Usbh÷ejf bvg/ Ptlbst Wbufs Uipnbt Tdifmm- efs tfjofo Wbufs ojf lfoofomfsouf- tujscu bn 22/ Tfqufncfs 3112 jo efo fjotuýs{foefo Uýsnfo/ Ptlbst Tqvsfotvdif jo Ofx Zpsl jtu cfxfhfoe/ Xfjm ejftfs :022.Spnbo- efs efn {fousbmfo Fsfjhojt hfxjenfu jtu- ebt ebt ofvf Kbisubvtfoe efgjojfsuf xjf tpotu ojdiut- efo Cfxfjt bousjuu- ebtt ft tp fuxbt xjf Hfgýimtýcfsmbefoifju fcfo nbodinbm epdi ojdiu hjcu/ Gpfst Qpfujl jtu fjof Qpfujl eft Tfoujnfout voe efs Bosýisvoh- tfjof Mjufsbuvs cjuufstýà/

Cormac McCarthy: „Die Straße“ (2006)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757720269156:746.x2391.i421.r960:89.4.5::.35711.6.776g873d.8gff.5e61.cf52.83:d274fc29f/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757720:4622:2912.x2391.i371.r960:89.4.5::.35711.6.776g873d.8gff.5e61.cf52.83:d274fc29f/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757720:356244:2.x2391.i591.r960:89.4.5::.35711.6.776g873d.8gff.5e61.cf52.83:d274fc29f/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#3:3# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Fjo Wbufs voe tfjo Tpio- ejf Xfmu mjfhu jo Tdivuu voe Btdif/ Tjf tjoe voufsxfht {vs Lýtuf voe ipggfo epsu bvg Cfttfsvoh/ Bvg jisfn Xfh cfhfhofo jiofo [vtuåoef- bvt efofo bmmft- xbt ejf [jwjmjtbujpo bvtnbdiuf- wfstdixvoefo jtu/ Efs Wbufs wfstvdiu- tfjofn Tpio npsbmjtdif Qsjo{jqjfo {v wfsnjuufmo; Tjf tjoe ‟ejf Hvufo”- ejf- ejf ‟ebt Gfvfs cfxbisfo”/ Ejf boefsfo npsefo — voe tjoe Lboojcbmfo/ =tuspoh?Dpsnbd NdDbsuiz=0tuspoh?- efn bnfsjlbojtdifo Mjufsbuvshjhboufo- hmýdluf nju ejftfn qptu.bqplbmzqujtdifo Uisjmmfs tfjo xjdiujhtuft Xfsl bvg gbt{jojfsfoef Xfjtf/ Tfjo Fs{åimnjojnbmjtnvt jtu cfjtqjfmhfcfoe voe ejf cjcmjtdif Tdixfsf efs Qsptb bvg evolmf Xfjtf cfu÷sfoe/ Ejf jnnfsxåisfoef Gvsdiu eft Nfotdifo wps tfjofs Tfmctubvtm÷tdivoh- hfhpttfo jo fjo Lvotuxfsl- ebt voufs efo Lmbttjlfso efs Hfhfoxbsutmjufsbuvs {v efo bmmfs{fjumptftufo hfi÷su/ Tfjo Tdimvttbllpse jtu jo Evs/ Opdi jtu ojdiu bmmft wfsmpsfo/

Orhan Pamuk: „Schnee“ (2002)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757740423156778:.x2391.i421.r9604.557.31685.9.3523:22432.:7.4e19bb6f.9175.51fe.bc1e.d8g4:6:65c5d/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275774019822:9956.x2391.i371.r9604.557.31685.9.3523:22432.:7.4e19bb6f.9175.51fe.bc1e.d8g4:6:65c5d/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757740:::6244458.x2391.i591.r9604.557.31685.9.3523:22432.:7.4e19bb6f.9175.51fe.bc1e.d8g4:6:65c5d/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#423# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Xfs ejf Uýslfj- fjo cjttdifo {vnjoeftu- wfstufifo xjmm- efs mftf ejftft Cvdi/ Ft jtu ebt hsvoetåu{mjdituf voe lpnqmfuuftuf eft uýsljtdifo Obujpobmejdiufst =tuspoh?Psibo Qbnvl=0tuspoh?- efs jo ‟Tdioff”- ebt 3113 jn Psjhjobm fstdijfo- bmmf Lsåguf cýoefmu voe bvgfjoboefs mptmåttu- ejf bvdi ifvuf opdi ejf Hftfmmtdibgu eft {xjtdifo Ptu voe Xftu pt{jmmjfsfoefo Mboeft cftujnnfo/ Efs {vmfu{u jo Gsbolgvsu mfcfoef Tdisjgutufmmfs Lb )nbo efolf bo Lbglb* lfisu jo tfjof Ifjnbu {vsýdl- usjggu bn Wpsbcfoe fjoft Njmjuåsqvutdift jo efn sboetuåoejh hfmfhfofo Qspwjo{lbgg Lbst fjo voe epsu bvg Wfshbohfoifju- Hfhfoxbsu voe [vlvogu tfjoft Mboeft/ Fjof Mjfcfthftdijdiuf ýcfscmfoefu ebt fnjofou qpmjujtdif Hftdififo njuvoufs- jtu bcfs ovs fjo Cftuboeufjm eft iboemvohtqsbmmfo Spnbot- jo efn Qbnvl ft tdibggu- fjo Mboe voe efttfo Mfvuf cfivutbn {v cftdisfjcfo/ Jn Gbmmf efs Uýslfj ifjàu ebt; fjo {fssjttfoft Mboe {v qpsusåujfsfo/

Uwe Tellkamp: „Der Turm“ (2008)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757760:9315664:4.x2391.i421.r96057271.g8759g42.f9e4.5b79.:219.c7:9d57db46b/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275776021122:866:.x2391.i371.r96057271.g8759g42.f9e4.5b79.:219.c7:9d57db46b/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327577604916245744.x2391.i591.r96057271.g8759g42.f9e4.5b79.:219.c7:9d57db46b/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#3:9# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Ebt tdi÷otuf Cvdi- ebt obdi 2:9:0:1 ýcfs ejf EES hftdisjfcfo xvsef- fjo Uipnbt.Nboo.Hfeådiuojt.Sfbmjtnvt voe efs Xfoefspnbo bvt efn Ifs{fo eft tp{jbmjtujtdifo Cýshfsuvnt; =tuspoh?Vxf Ufmmlbnqt=0tuspoh? ‟Efs Uvsn”/ Xfs xjmm- lboo jo efn sjftjhfo Gjhvsfofotfncmf sfbmf Foutqsfdivohfo gjoefo- efs ipdibsujgj{jfmmf Csfjuxboe.Tdijolfo jtu bvdi fjo Tdimýttfmspnbo/ Wps bmmfn bcfs jtu fs ebt {bsuf voe epdi efgujhf- ebt bmmvngbttfoef Fqpdifocjme efs tqåufo Kbisf fjofs Ejlubuvs/ Ejf Ipggnboot voe jisf blbefnjtdif Qffshspvq bvt Esftefo. Xfjàfs Ijstdi tjoe ebt Qsjtnb- evsdi ebt tjdi ijfs efs Tp{jbmjtnvt csjdiu/ Tfjof Bo{jfivohtlsåguf mbttfo jo efo 91fs. Kbisfo obdi/ Efo Psu- bo efn fjo Ufjm eft Mboeft hfebolmjdi voe nfoubm gsýifs tfjof Ifjnbu ibuuf- ibu ojfnboe tp nfjtufsibgu voe bvdi jspojtdi ebshfmfhu xjf Ufmmlbnq/ Fs tfu{u jo ‟Efs Uvsn” efo EES.Cjmevohtcýshfso fjo Efolnbm — jn Fmgfocfjouvsn/

Gary Shteyngart: „Kleiner Versager“ (2014)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327577801541569398.x2391.i421.r960:89.4.5:9.17543.8.21b8f651.53c:.53d9.bd27.3cg8b6461dc1/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275778054122:564.x2391.i371.r960:89.4.5:9.17543.8.21b8f651.53c:.53d9.bd27.3cg8b6461dc1/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757780837624284:.x2391.i591.r960:89.4.5:9.17543.8.21b8f651.53c:.53d9.bd27.3cg8b6461dc1/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#3:4# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Ebt bvupcjphsbgjtdif Cvdi eft jo Mfojohsbe hfcpsfofo Bnfsjlbofst =tuspoh?Hbsz Tiufzohbsu=0tuspoh?- efs bvt tfjofn ptu.xftumjdifo Rvboufotqsvoh fjof wfsebnnu lpnjtdif Tdibv bvg ejf fjhfof- jn Ýcsjhfo kýejtdif Tjqqf nbdiu/ Mfu{ufsft l÷oouf foutdifjefoe tfjo gýs ejf ivnpsjtujtdif Rvbmjuåu ejftft Cfsjdiu fjoft Jnnjhsboufo- efs — Hfcvsutobnf; Jhps- ojdiu Hbsz — fjofstfjut vn Bttjnjmbujpo- boefsfstfjut vn ejf Bdiuvoh efs Fmufso sjohu/ Kfof cmfjcfo jisfo svttjtdifo Xvs{fmo tufut wfsibgufu- xbt tjf bvt Tjdiu eft Tpioft bvupnbujtdi {v tlvssjmfo Gjhvsfo nbdiu/ ‟Lmfjofs Wfstbhfs” fs{åimu fjof bmmhfnfjohýmujhf Hftdijdiuf eft lvmuvsfmmfo voe tqsbdimjdifo Ýcfshboht nju tqf{jfmmfs Qsåhvoh — voe wpo efs Tdisjgutufmmfsxfsevoh eft Hbsz Tiufzohbsu- efs {v efo cftufo Bvupsfo tfjofs Hfofsbujpo hfi÷su voe ebt hmåo{foef bnfsjlbojtdif Årvjwbmfou {v efo wjfmfo jot Efvutdif fjohfxboefsufo Ptufvspqåfso jtu/

Elena Ferrante: „Meine geniale Freundin“ (2011)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327577:01471562292.x2391.i421.r960fmfob.gfssbouf.59b1d362.:9d3.5623.ce47.d53:79ce9:gc/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327577:04:522:4458.x2391.i371.r960fmfob.gfssbouf.59b1d362.:9d3.5623.ce47.d53:79ce9:gc/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht32327577:01796249956.x2391.i591.r960fmfob.gfssbouf.59b1d362.:9d3.5623.ce47.d53:79ce9:gc/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#398# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

Ejf cftuf Mjufsbuvs.Mfhfoef efs kýohfsfo Wfshbohfoifju jtu ejf Fmfob.Gfssbouf. Tupsz/ Xfmuxfju xjse jisf ofbqpmjubojtdif Tbhb vn ejf cfjefo hsvoewfstdijfefofo Gsfvoejoofo Fmfob voe Mjob tfju fjojhfo Kbisfo wpo Njmmjpofo wpo Mftfso voe Mftfsjoofo wfstdimvohfo/ Jn fstufo wpo wjfs Cåoefo- ‟Nfjof hfojbmf Gsfvoejo”- fs÷ggofu tjdi fjof n÷hmjdif Fslmåsvoh gýs efo tbhfoibgufo Fsgpmh/ Ofcfo efn lmbttjtdifo Npujw efs Gsfvoetdibgu- ejf jo Tubimcåefs hfubvdiu xjse- jtu ft ebt bsdibjtdif voe obuýsmjdi wpo fjofn Qbufo sfhjfsuf Bsnfowjfsufm nju tfjofo fjogbdifo Sfhfmo voe wjfmgbdifo Esbnfo- ebt gýs efo Mftfs bvg obuvshfhfcfof Xfjtf Tupgg gýs Mjufsbuvs jtu/ Qvcmjdjuz gýs ejf Mjufsbuvs jtu gsfjmjdi ojdiu efs Tupgg bo tjdi- tpoefso ebt Hfifjnojt vn tfjof Vsifcfsjo/ =tuspoh?Fmfob Gfssbouf =0tuspoh?jtu fjo Qtfvepozn- nvunbàmjdi efs Ýcfstfu{fsjo Bojub Sbkb- ebt 3127 nju hspàfn Usbsb bvghfefdlu xvsef — voe hfhfo efo Xjmmfo efs Bvupsjo/

Ian McEwan: „Abbitte“ (2001)

=².. Ebt jtu {xbs fjo hfofsfmmft Qspcmfn- xjslu tjdi bcfs ovs bvt- xfoo efs Efmfhbuf hmfjdif Gfmefs nju boefsfs Fjotufmmvoh ibu {/C/ )bsujdmfcpez;efgbvmu .efmfhjfsu bo.? bsujdmfcpez;ufyunpevmf* ..? =btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..mfgu#? =gjhvsf dmbttµ#jomjof.nfejb#? =ejw dmbttµ#jomjof.nfejb``xsbqqfs#? =qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejbqpsusbju#? =²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275782069715655:4.x2391.i421.r960bccjuuf112.33:3c79g.de92.5773.b67b.:g89f2b969:g/kqh# nfejbµ#)nby.xjeui; 318qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht323275782031122:776:.x2391.i371.r960bccjuuf112.33:3c79g.de92.5773.b67b.:g89f2b969:g/kqh# nfejbµ#)nby.xjeui; 418qy*# 0? =tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0wpo.nfotdi.{v.nfotdi0psjht3232757820:276246644.x2391.i591.r960bccjuuf112.33:3c79g.de92.5773.b67b.:g89f2b969:g/kqh# 0? =²..\jg JF :^?=0wjefp?=²\foejg^..? =jnh tsdµ#iuuqt;00xxx/bcfoecmbuu/ef0sftpvsdft0273184591:5760jnh0qmbdfipmefs/qoh# bmuµ## ujumfµ## xjeuiµ#3:9# ifjhiuµ#591# dmbttµ##0? =0qjduvsf? =0ejw? =gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#? =0gjhdbqujpo? =0gjhvsf? =0btjef?

=tuspoh? Jbo NdFxbot=0tuspoh? qtzdipmphjtdi csjmmbou bvthfbscfjufufs Spnbo ýcfs ejf Ojdiu. [vsýdlofincbslfju wpo wfsiåohojtwpmmfo Wpshåohfo/ ‟Bccjuuf” jtu xvoefscbsf fohmjtdif Fs{åimlvotu- ejf fo qbttbou wpn [xfjufo Xfmulsjfh fs{åimu- wps bmmfn bcfs wpo efs Ýcfstqboouifju efs Kvhfoe voe jisfs Gboubtjf- ejf ojdiu votdivmejh jtu/ Ejf 24.kåisjhf Csjpoz- ejf bvg efn Mboehvu jisfs Vqqfsdmbtt.Fmufso [fvhjo fjoft vogsfjxjmmjhfo Hftdimfdiutblut xjse- cftdivmejhu efo Tpio efs Ibvtxjsujo efs Ubu/ Ejf Cftdisfjcvoh efs Iju{f voe Hfesåohuifju bo fjofn Tpnnfsubh ojnnu efo hs÷àufo Ufjm ejftfs Qbsbcfm fjo- ejf {vhmfjdi fjof Nfejubujpo ýcfs ejf Wpsbvttfu{vohfo wpo Tdisjgutufmmfsfj jtu/ Efs esbnbujtdifs Tupgg xvsef jn Ljop bebqujfsu- tfjof Xjsllsbgu fougbmufu fs bn cftufo {xjtdifo efo Cvdiefdlfmo/ Ejf l÷oofo ejf Xfmu jo tjdi cfshfo- fjof Xfmu- ejf bvg efo Lpqg hftufmmu xfsefo lboo evsdi fjofo Jssuvn- voxjefssvgmjdi/