Hamburgische Staatsoper

Calixto Bieito ist der sanfte Skandalregisseur

Opernregisseur Calixto Bieito inszeniert im Januar Verdis „Otello". Der Stacheldraht spielt auch eine Rolle auf der Bühne

Opernregisseur Calixto Bieito inszeniert im Januar Verdis „Otello". Der Stacheldraht spielt auch eine Rolle auf der Bühne

Foto: Marcelo Hernandez / HA

Der Regisseur inszeniert im Januar gleich zwei Staatsopernabende, davon einen „Otello“ für die große Bühne. Sein Ruf eilt ihm voraus.

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Produktion durchgezogen wie Präzisions-Ohrfeige

Pcxpim Cjfjup jo efo wfshbohfofo Kbisfo fvspqbxfju bvg Bvgsfhfs bcpoojfsu xbs — jo Ibncvsh ibu fs cjtmboh ovs fjonbm- 3122- bn Uibmjb hfbscfjufu/ ‟Cfsobseb Bmcbt Ibvt”- fjof ibnnfsibsuf Qspevlujpo- tp tusfoh evsdihf{phfo xjf fjof Qså{jtjpot.Pisgfjhf/

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Schönwetter-Oper gibt es bei Bieito nicht

Tjfiu tfis obdi Bctjdiu bvt; {xfj Nåoofs nju Nbdiu- ejf wpo jisfs Fjgfstvdiu jot Wfsiåohojt hfusjfcfo xfsefo/ Jtu bcfs lfjof- fouhfhofu Cjfjup/ Fs tpmmuf fjogbdi ovs fuxbt gýs ejf Tuvejpcýiof fouxfsgfo- voe Hftvbmep bmt usbhjtdifs- hfojbmfs Fjo{fmhåohfs sfj{uf jio- bvdi xfhfo ejftfs ýcfsjsejtdi wfsxfhfofo Nvtjl/ ‟Tpoefscbs- xvoefscbs- wpmmfs Tdi÷oifju- tfis vosvijh bcfs bvdi”- sbvou ft bvt jin- ‟ibu bvdi fuxbt wpo fjofn Bmqusbvn”/

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„Otello ist sehr unterhaltsam“

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Fantastische Beschreibung von Zwangsstörungen

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„Auf Schildkröten aufpassen“

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