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„Venere e Adone“ in Hamburg – die stärkste Produktion der Staatsopern-Spielzeit

Hamburgische Staatsoper

„Venere e Adone“ wird zur stärksten Produktion der Spielzeit

Joachim Mischke, Chefreporter Kultur des Hamburger Abendblatts und Dauergast in der Elbphilharmonie
| Lesedauer: 5 Minuten
Joachim Mischke
Evan Hughes als „Il Mostro“, das Monster, und Randall Scotting (vorn) als Adonis bei Salvatore Sciarrinos „Venere e Adone“ an der Hamburgischen Staatsoper.

Evan Hughes als „Il Mostro“, das Monster, und Randall Scotting (vorn) als Adonis bei Salvatore Sciarrinos „Venere e Adone“ an der Hamburgischen Staatsoper.

Foto: Brinkhoff-Moegenburg

Der Schöne und das Biest: Die Uraufführung von Salvatore Sciarrinos Oper in Hamburg ist radikal ungewöhnlich.

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Staatsopern-Uraufführung „Venere e Adone“ in Hamburg – der Schöne und das Biest

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„Venere e Adone“ in Hamburg: Kammerspiel mit Todesfolge

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Staatsopern-Uraufführung – radikal starke Produktion

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