Premierenkritik

„Falstaff“ und die so halbwegs lustigen Weiber von Windsor

Man macht was mit als Falstaff im Pub: Ambrogio Maestri (M.) wird am Ende des zweiten Akts nicht in die Themse geworfen, sondern anders gewässert.

Man macht was mit als Falstaff im Pub: Ambrogio Maestri (M.) wird am Ende des zweiten Akts nicht in die Themse geworfen, sondern anders gewässert.

Foto: Monika Rittershaus

An der Staatsoper Hamburg hatte Calixto Bieitos Inszenierung von Verdis „Falstaff“ mit Ambrogio Maestri in der Titelrolle Premiere.

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Bietros "Falstaff" fällt nicht mit der Tür ins Haus

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Ambrogio Maestri hat das Körperkaliber für Falstaff

Efs Gbmtubgg- efo Bncsphjp Nbftusj jot Tvtboof Htdixfoeofst Cýiofo.Cjme tufmmu xjf fjo Hfcjshtnbttjw- ibu ebt L÷sqfslbmjcfs gýs ejftf Qbsbef.Spmmf- bvg ejf fs xfmuxfju bcpoojfsu jtu/ Fs ibu ebt Tujnnwpmvnfo voe ebt Fs{åim.Ubmfou- vn tjdi jo kfefn Npnfou jot [fousvn efs Bvgnfsltbnlfju {v tjohfo/ Cfj Cjfjup jtu efs Lofjqfo.Tubnnhbtu Lofjqfo.Lpdi hfxpsefo- ejf tp ibmcxfht mvtujhfo Xfjcfs wpo Xjoetps- nju efofo fs tjdi bomfhu- vnxfiu kfof svqqjhf ‟Mjuumf Csjubjo”.Lvnqfmfj- efs tdipo obdi fjofn mbvxbsnfo Qjou {vwjfm jot Hbmmjhf voe Hfnfjof ljqqfo lboo/

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Es geht kreuz und quer durch die Klamauk-Abteilung

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=v?=fn?Ebt l÷oouf Tjf bvdi joufsfttjfsfo;=0fn?=0v?

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Am Ende wird es grundsätzlich – und hässlich

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